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Digitorial® on the special exhibition

Hero Games

The exhibition

The seven missions

Der Heldenmythos

Die sieben Heldinnen und Helden

Das Orakel von Delphi

#herogamesgallery

Quiz

Your visit

The exhibition is interactive and designed as a game. It is suitable for adults of all ages. We will equip you with a badge and a headset. After that, your adventure can begin. We recommend the HERO GAMES for children 9 or older. The exhibition is only partially barrier-free; people who have issues with their hearing or vision will only be able to participate in the game to a limited extent.

The number of slots is limited. You should book your spot in advance and pay for your ticket at the museum ticket desk when you arrive.

Game Master

Interested in having a Game Master? Our Game Masters will motivate and look after you during your adventure and will answer any questions you may have about ancient mythology. Book your own personal Game Master for you or your group by calling +41 61 201 01 46 or book here.

Price: from CHF 200

Special offers

For best agers

Golden Heroes

For people who don’t think they’re too old for an adventure.
Suitable for people 60 or older

On the following Tuesdays from 2 p.m. to 4 p.m.: 30 Sept. 2025, 14 Oct. 2025, 11 Nov. 2025, 2 Dec. 2025, 27 Jan. 2026, 17 Feb. 2026, 24 Mar. 2026
CHF 34 per person, includes admission to the museum, support from a Game Master and coffee and cake

Reservation required: +41 61 267 01 60 or book here.

Groups

After-work Heroes

For teams of people who want to go on an adventure together.
Bookable for 10 or more people, prices valid for up to 20 people, prices for 21 or more people available on request.
Tues.–Fri. starting at 4:30 p.m.
From CHF 34 per person, includes admission to the museum, support from a Game Master and a snack and drink
From CHF 65 per person, includes admission to the museum, support from a Game Master, a snack and drink and a 3-course meal

Reservation required: +41 61 267 01 60 or book here.

WORKSHOP FOR SCHOOL GROUPS

Brave, bold and selfless

How heroic are we?
First, the pupils in the school group will complete all the heroic missions in the exhibition and discover the legend within them. After that, we will break up into groups and examine the question of who our heroes are, whether we need them and, if so, why, and how heroic we ourselves actually are. Each group will put together a zine in the form of a small brochure that will present the group’s views and reflections, and perhaps even short stories.

We will incorporate the pupils’ ideas directly into the HERO GAMES by displaying their zines in the exhibition and making them available to visitors.

2 hours, starting at the 4th primary level
Tues.–Fri. from 10 a.m. to 12 noon
Group size: max. of 25 participants
Prices: Schools in BS/BL cantons: free; others CHF 180.00

Registration: +41 61 267 01 40, Tues.–Fri. mornings, or write an email here.

Wichtig! Wenn du die Ausstellung mit deiner Klasse eigenständig oder mit einem Game Master (Führung) besuchen möchtest, sende uns deine Anfrage bitte über dieses form. 

Food and events

Bistro AMB

During the special exhibition, we will be adding dishes inspired by ancient heroes and heroines to the menu. You can look forward to everything from Heracles Vegetables to Medea’s Magical Cake – fortify yourself with powerful dishes and enjoy the fine flavours of Greece.

Book your table here.

Culture meets cuisine

Embark on a mythical journey, immerse yourself in faraway places and complete the most legendary missions of antiquity. Discover the hero or heroine in you and spend an epic Friday evening in the Antikenmuseum Basel.

First you will fortify yourself with a snack and a drink, then you will obtain your own personal hero status in the HERO GAMES and, finally, you will relax and enjoy a heroic meal in our Bistro AMB.

CHF 65, includes admission to the museum, support from a Game Master, a 3-course meal and a glass of prosecco or beer

You’ll find more information on our website. Only with a spot booked in advance: call +41 (0)61 267 01 46 or fill out this form here.

Your event at the Antikenmuseum Basel

Whether you’re planning a private celebration or corporate event – the event rooms at the Antikenmuseum offer the ideal location for special moments. Book today and see for yourself what our one-of-a-kind combination of culinary delights and unique atmosphere has to offer!

We’ll be happy to provide you with information and advice. Just call us on +41 61 267 01 60, or send us your request using this form here.

Our museum

Opening hours

Closed on Monday
Tuesday & Wednesday: 11 a.m.−5 p.m.
Thursday & Friday: 11 a.m.−10 p.m.
Saturday & Sunday: 10 a.m−4 p.m.

Opening hours on public holidays

Admission

Adults: CHF 22
Groups (4+ people): CHF 20
People under 20 years of age: CHF 9
People under 30 years of age in a full-time education: CHF 9
Children under the age of 13: Free
Holders of the Museums-PASS-Musées or the Swiss Museum Pass: free*

*Valid for individual admission only; not valid for packages and special anniversary offers that include admission.

Address

Antikenmuseum Basel und Sammlung Ludwig
St. Alban–Graben 5

CH-4010 Basel

+41 61 267 01 12
info (at) antikenmuseumbasel.ch
www.antikenmuseumbasel.ch

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The exhibition

Hero Games

Discover the Legend Within You.

An interactive exhibition
14 September 2025 – 29 March 2026
at the Antikenmuseum Basel

This exhibition takes the form of a game in which you are the main character who embarks on an adventurous journey. As you proceed, you will immerse yourself in mythical worlds and complete the most famous missions of the greatest heroes and heroines in antiquity. You will meet the terrifying Medusa at the edge of the world, bring Cerberus back from the Underworld and face the Minotaur in its Labyrinth.

Seven different missions await you in the form of both analogue and digital games. Put your various skills to the test as you work to earn your own personal hero status.

Be part of this interactive cultural experience, see what it feels like to be a hero and enjoy an epic adventure at the Antikenmuseum Basel.

The exhibition is made possible by:

“It is I, the invincible Athena, who speaks to you! I who hold fame and victory in my divine hands. I, goddess of wisdom and war, daughter of Zeus. I welcome you to the Hero Game! I have hurried down from Mount Olympus to assist you.”

The seven

Missions

Thousands of years ago, great heroes and heroines drew on their courage, strength and intelligence and sometimes magic to complete their missions. We still remember their names today – their heroic deeds have made them immortal.

But now it’s your turn.

The era of your own heroic deeds has arrived. You will be accompanied on your mission by your patron goddess, Athena. She will be by your side throughout, telling you what to do. Your journey will take you to the Oracle of Apollo in Delphi, where the Oracle will make a prophecy about your heroic future.

At the western edge of the world on the banks of the River Oceanus

Mission
Medusa

 

Beheading the powerful demon

Medusa is a Gorgon, a dangerous demon with golden wings and snakes for hair. Her gaze brings death. Every mortal creature who looks into her eyes is turned to stone.

Your mission

Carefully creep up on the sleeping Medusa and cut off her head. Can you get close to her without waking her up?

Attributes needed

Serenity & concentration

Ancient predecessor

Perseus

 

 

 

 

 

 

 

 

In the Calydonian forest

Mission
Calydonian
Boar

 

Hunting the rampaging beast

In Calydon, a giant boar – a vicious beast, more monster than animal – is terrorising the local population. It is laying waste to the region, destroying buildings and fields and killing livestock – as well as any human being that crosses its path.

Your mission

Track down the boar in the forest of Calydon and shoot it with your bow and arrow. Can you find the beast before it finds you?

Attributes needed

Good marksmanship & strength of will

Ancient predecessor

Atalante

 

 

 

 

 

 

 

 

Through the gateway to the Underworld on Cape Tenaro

Mission
Cerberus

 

Subduing the three-headed hellhound

The three-headed hellhound Cerberus guards the entrance to the Underworld, where the souls of the dead dwell. He is invincible and merciless, devouring anyone who tries to flee.

Your mission

Descend into Hades and bring Cerberus back to the world of the living. Can you subdue the hellhound?

Attributes needed

Power & stamina

Ancient predecessor

Heracles

 

 

 

 

 

 

 

In the Labyrinth of Knossos

Mission
Minotaur

Fighting the savage bull-headed man

The Minotaur is a horrible creature, half man, half bull. Minos, the king of Crete, has imprisoned it in a labyrinth. It is greedy for human flesh.

Your mission

Find your way through the Labyrinth and defeat the Minotaur. Will you be able to find your way through the tortuous maze of passageways?

Attributes needed

Courage & drive

Ancient predecessor

Theseus

 

 

 

 

 

 

 

On the coast near Troy

Mission
Trojan
A horse

 

Building the deceptive wooden giant

For ten years the walls of Troy have withstood the Greek siege. Now the only thing capable of breaking the stalemate is an enormous wooden horse with Greek soldiers hidden inside it, hoping to secretly enter Troy.

Your mission

Build the Trojan horse. Will you be able to construct the wooden colossus?

Attributes needed

Imagination & ingenuity

Ancient predecessor

Odysseus

 

 

 

 

 

 

 

 

 

In the royal palace of Aea

Mission
Magic

 

Mixing the powerful magic potion

There exists an ancient rejuvenation spell capable of restoring old people’s youth. Only when the ingredients are added to the potion in exactly the right amounts and exactly the right order does it achieve its full potency.

Your mission

Brew the rejuvenation potion using the recipe that has been handed down through the ages. Is your magic strong enough to unlock the power of the potion?

Attributes needed

Meticulousness & magic

Ancient predecessor

Medea

 

 

 

 

 

 

 

 

 

Near the gates of Thebes

Mission
Sphinx

 

Solving the menacing monster’s riddle

The Sphinx of Thebes is a winged creature with the head of a woman and the body of a lioness. She lies in wait on a rock outside the gates of Thebes and tells a riddle to anyone who passes by. If the poor soul cannot solve the riddle, she eats them up.

Your mission

Solve the riddle the Sphinx tells you. Can you work out the right answer, or will you be defeated by her superior intellect?

Attributes needed

Logic & wit

Ancient predecessor

Oedipus

 

 

 

 

 

 

 

 

 

“I loved myths as a child the way some kids loved dinosaurs: they were larger than life and very old, but also, they helped me understand my place in the world.”

Madeline Miller

The

Hero Myth

The ancient Greek myths are stories that are set in a mythical bygone era and have been handed down from generation to generation. They are stories about the origins of the world, about the genesis of the gods and goddesses and the adventures of the great heroes and heroines. The myths are fictional, but in antiquity they were understood as real events that had happened in the past. Indeed, the heroes and heroines were idealised figures who people could easily identify with. They served as role models – examples of the right way to behave. Like all human beings, however, they also had weaknesses and flaws which made them human and easy to relate to, and which also served as a deterrent to discourage bad behaviour.

The hero as a role model

Heracles was the embodiment of the ideal warrior who used his strength to maintain order in the world. Alexander the Great revered Heracles as a mythical forebear and role model, and liked to present himself as Heracles wearing the lion skin.

Bust of Alexander the Great with lion skin, marble, 3rd century BC, New York, Metropolitan Museum of Art, loan
Image: Lanmas / Alamy Stock Foto

The historical core of the myth

The Greek heroic myths include stories about the deeds of individual heroes. Perseus, for example, travelled to the edge of the world and beheaded the terrifying Medusa, serving as a role model for young men going to war. Theseus fought the Minotaur in the Labyrinth, which could perhaps be interpreted as a metaphor for the inner conflicts every human being faces.
Other myths feature heroes and heroines from all over Greece who come together to fight the Trojan War, join the Argonauts or hunt the Calydonian Boar.
The myths always refer to a known reality and explore fundamental social questions and values. They serve as a beacon in the turbulent sea of life – a guide to help people figure out how to act in difficult situations.

The myth of the Argonauts, who sail across the Black Sea to Colchis in search of the Golden Fleece, has a basis in historical fact. The story reflects a highly developed civilisation in what is now western Georgia, a society that prospered from the mining and processing of precious metals, particularly gold, and which probably started trading with Greece early on.

In the 3rd century BC, early Bronze Age cultures were already mining gold in the Caucasus and turning it into artistic objects. Small lion from Kurgan No. 2 in Tsnori, gold, 2nd half of the 3rd century BC, Tbilisi, Georgian National Museum, Inv. 140–975: 1
Image: akg-images

No "right" or "wrong"

The Greek myths have been handed down over the course of thousands of years, and are extremely versatile and flexible. There is no “right or wrong”. They can be adapted as necessary to reflect the zeitgeist, a current event or a specific place – and they can be endlessly retold. This means that over time many different versions of the various myths have emerged. For the HERO GAME, we have drawn mainly on the canonical – i.e. the best-known – versions.

There are several versions of the story of Odysseus’ death. In one of them he is killed by Telemachus, his son by his wife, Penelope, and in another he is killed by his illegitimate son Telegonus. In one version he is killed with a spear tipped with the venom of a sea creature; in another he is turned into a horse. The oldest version of the myth has him living happy and content well into old age.

Bust of Odysseus from the Polyphemos Group in Sperlonga, marble, 1st century AD (?), Sperlonga, Museo Archeologico Nazionale (original), plaster cast from Skulpturhalle Basel, Inv. SH 1262

The myth today

The Greek myths are still being revised and retold in new interpretations and from new perspectives to this day. Myths are stories about life, about its ups and downs, about fundamental human questions. This is why they have lost none of their relevance and fascination despite their age. We find Greek myths everywhere – in literature, in the visual arts, in music, film, comic books and even body art.

The myth in literature: In her novel Stone Blind, Natalie Haynes tells the story of Perseus and Medusa from a female perspective.

Natalie Haynes, Stone Blind – Medusa's Story (2022)
Image: booksR / Alamy Stock Foto


The myth in the visual arts

Auch in der bildenden Kunst ist der griechische Mythos gegenwertig, in der Malerei, der Plastik oder wie hier als Street Art Kunstwerk.

A modern version of Medusa. Street art in the Anafiotika neighbourhood in Athens.
Image: imageBROKER.com / Alamy Stock Foto

The myth in the movie

The myth of Odysseus and his wanderings has been adapted for film and television numerous times.

Movie poster for Ulisse by Mario Camerini from 1954
Image: Photo 12 / Alamy

The myth in comics

The comic-book Amazon Diana Prince, a.k.a. Wonder Woman, is a daughter of Zeus and owes her incredible superpowers to the Greek gods and goddesses. The Greek myths are an integral part of her stories. During an exhausting battle with Medusa, Wonder Woman blinded herself so as to be safe from Medusa’s gaze. Now she cuts off the demon’s head.

Image: Greg Rucka, Drew Johnson, Ray Snyder, Wonder Woman 1987, #210 (DC Comics January 2005) 21.3 © DC Comics 2016

The myth in music

In The Labyrinth Song by Israeli musician Asaf Avidan, released in 2015, the Labyrinth is a metaphor for the abyss of the human psyche in which the hero becomes trapped and lost.

Asaf Avidan, The Labyrinth Song, 2015
Video: Youtube

The myth in body art

A Heracles tattoo is a symbol of one’s own strength and the ability to overcome personal challenges in life.

Image: InkStitute

The seven

Hero Myths

In the HERO GAME you will immerse yourself in seven different worlds and complete the most glorious missions of the most famous heroes and heroines in antiquity. Here we introduce these heroes and heroines, and their adventures, and summarise each of their stories in seven pictures.

Perseus

Slayer of the snake-haired Medusa

Princess Danaë receives Zeus into her womb in the form of a shower of gold, and conceives the demigod Perseus.

Wine-mixing vessel (krater) from Boeotia, clay, around 450 BC, Paris, Louvre, Inv. CA 925
Bild: Marie-Lan Nguyen/Wikimedia Commons: Danaë, Paris

An oracle had told King Acrisius of Argos that he would be killed by his future grandson. Upon hearing this, he locked away his only daughter, Danaë, to keep her from coming into contact with men. But Zeus, the father of the gods, desired the beautiful princess and entered her prison after taking the form of a shower of gold. He became one with her, and they conceived the demigod Perseus.

Acrisius orders his daughter, Danaë, to climb into the chest with her son, Perseus.

Perfume vessel (lekythos) from Athens, clay, around 480 BC, Toledo, Toledo Museum of Art, Inv. 1969.369
Bild: Toledo Museum of Art, Danaë, Toledo

When Acrisius learned of Perseus’ birth, he feared the prophecy would come true and therefore cast his daughter and grandson out to sea in a wooden chest. The fisherman Dictys found the chest on the coast of the island of Serifos and took the pair in.
On Serifos, Perseus grew up into a strong young man. One day he was sent by Polydectes, the island’s wicked king, on a dangerous mission: Perseus was to bring Polydectes the head of the demon Medusa.

Perseus is already wearing winged sandals and the Cap of Hades, while Athena holds the shield and the sickle-shaped harpe sword ready for him.

Bucket (situla) from Apulia, clay, around 370 BC, London, British Museum, Inv. 1836,0224.85
Image: © The Trustees of the British Museum. Shared under a Creative Commons licence.

Perseus was able to rely on help from his patron goddess, Athena, and from Hermes, the messenger of the gods. First they took him to see the Graeae (three sisters who had been old women from birth), whom Perseus tricked into telling him the whereabouts of the nymphs. He needed the nymphs to give him some special equipment without which he would not be able to defeat the terrible Medusa. The nymphs lent him winged sandals, a magical bag and the Cap of Hades, which rendered him invisible. Hermes also gave Perseus a sickle-shaped sword. Athena gave him a brightly polished shield.

Perseus has beheaded Medusa and is fleeing with her head in the magical bag. Athena hurries after him.

Water vessel (hydria) from Athens, clay, around 460 BC, London, British Museum, Inv. 1873,0820.352
Image: © The Trustees of the British Museum. Shared under a Creative Commons licence.

Perseus, now well equipped, flew in his winged sandals to the western edge of the world. This was where Medusa lived with her two sisters, Stheno and Euryale, on the banks of the River Oceanus. Their gaze could turn people and animals to stone. Perseus found the three Gorgons asleep. He crept up on them. Athena guided his hand as he cut off Medusa’s head, taking care to look at her only in the mirror of his polished shield. When the other demons awoke, he put on his Cap of Invisibility and fled.

Perseus rescues the princess Andromeda, who is chained to stakes, from the sea monster.

Wine-mixing vessel (krater) from Athens, clay, around 440 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. BS 403

On his way home, Perseus flew over the coast of Aethiopia. There he found the beautiful princess Andromeda chained to a rock as a sacrifice to a sea monster. Perseus bravely fought the monster, killed it, freed Andromeda and married her.

Perseus brings King Polydectes (left) the head of Medusa and turns him to stone. On the right sits his foster father, Dictys.

Attic cup (skyphos) from Nola, clay, around 460 BC, Paris, Louvre, Inv. Cp 1060
Image: © 2022 GrandPalaisRmn (musée du Louvre) / Stéphane Maréchalle

Back on Serifos, Perseus used Medusa’s head to turn Polydectes to stone and installed his foster father, Dictys, as the new king. Then he returned to Argos to visit his grandfather, Acrisius. However, fearful of the prophecy which had led him to cast Perseus out to sea, Acrisius fled to the city of Larissa. But you cannot outrun a prophecy. One day a big athletic contest was held in Larissa, and Perseus took part. Among the spectators was his grandfather, whom Perseus accidentally struck in the head with a discus, fatally wounding him.

The constellation of Perseus with Medusa’s head.

Star chart from the set Urania’s Mirror or a view of the Heavens, London 1824
Image: Adam Cuerden/Wikimedia Commons: Perseus, London

After accidentally killing his grandfather, Perseus was loath to inherit his throne and become king of Argos. So he swapped thrones with the king of the neighbouring cities of Tiryns and Mycenae. He lived there happily as king with Andromeda and their children for the rest of his days. After his death, his father Zeus placed him in the sky as a constellation. Perseus still lights up the night sky: in Switzerland his constellation is visible from mid-July to mid-August.

Atalante

The swift-footed boar-killer

Two different versions of the Atalanta myth have survived: an Arcadian one and a Boeotian one. We have drawn on Apollodorus (1st century AD), who combines the two versions.

Atalanta draws her bow and shoots. Her arrow will find its target, for she is a gifted archer.

Wine-mixing vessel (krater) from Apulia, clay, around 330 BC, Berlin, Staatliche Museen, Antikensammlung, Inv. F 3258
Bild: ArchaiOptix/Wikimedia Commons: Atalante, Berlin

Atalanta’s father had not wanted a daughter, so shortly after her birth he abandoned her in a forest. Fortunately, little Atalanta was found by a she-bear who suckled her with her milk. Later, hunters took the girl in and raised her to adulthood. She became an excellent archer and the fastest runner in the world. She lived in the forest free from societal constraints and worshipped Artemis, the goddess of hunting. She loved her freedom so much that she vowed never to marry.

Atalanta, with the white skin typical of depictions of women, competes against men even in combat sports and defeats the hero Peleus in a wrestling match.

Attic storage vessel (amphora) from Vulci, clay, around 500 BC, Munich, Staatliche Antikensammlung und Glyptothek, loaned by the Wittelsbacher Ausgleichsfonds; Inv. SH 1541 WAF
Bild: ArchaiOptix/Wikimedia Commons:Atalante, München

Atalanta held her own in a male-dominated world. She was powerful, tough and determined. She competed – and won – against men even in wrestling matches.
She was the only female member of the Argonauts, a team of heroes with whom she travelled to Colchis on the east coast of the Black Sea in search of the Golden Fleece.
After she returned, her excellent hunting skills were needed in Calydon, as Artemis had sent a monstrous boar to the region to punish King Oeneus of Calydon for failing to make a sacrifice to her.

On the left, Atalanta shoots her arrow, wounding the boar, while the male hunters throw their spears at it and miss.

Relief from a sarcophagus from Patras, marble, around 150 AD, Athens, National Archaeological Museum, Inv. 1186
Bild: George E. Koronaios/Wikimedia Commons: Atalante, Athen

When the rampaging boar began laying waste to the region, Prince Meleager gathered together a group of the best heroes to hunt and kill the beast. Atalanta was the only woman among them.
No sooner had the hunting party tracked down the boar in the forest of Calydon than the men threw their spears at it and missed. Some heroes were killed; others fled. But Atalanta remained calm and focused. She struck the boar with her arrow, enabling Meleager to slay the wounded animal.

A small god of love flies above the head of the seated Meleager, indicating that he has fallen in love with Atalanta. The heroine stands before him holding her hunting trophy: the boar’s hide.

Apulian water vessel (loutrophoros) from Timmari, Grave 33, clay, around 340 BC, Matera, Museo Archeologico Nazionale “Domenico Ridola”
Bild : ArchaiOptix/Wikimedia Commons: Atalante, Matera

Meleager gave the boar’s hide to Atalanta as a hunting trophy in recognition of her excellent shot. But this gesture of deference towards a woman made most of the heroes very angry, and Meleager’s uncles were particularly outraged. A fight broke out in which Meleager killed two of his uncles. When Meleager’s mother learned of her brothers’ deaths, she was so angry that she caused Meleager to die too.

Atalanta the athlete prepares herself on a sports field for the race with her suitors.

Drinking bowl (kylix) from Athens, clay, around 460 BC, Paris, Louvre, Inv. CA 2259
Bild: © 1984 Musée du Louvre, Dist. GrandPalaisRmn / Maurice et Pierre Chuzeville, Atalante, Louvre

Atalanta’s valiant deeds had made her a heroine. Now her father finally started to warm towards his extraordinary daughter, and decided she ought to get married. Atalanta reluctantly agreed, but on one condition: she would only marry the man who could beat her in a race. She thought that this way she could hold onto her freedom. After all, there was no man in the world who could outrun her. Many men stepped up to race against Atalanta – but when they lost, their prize was death.

Atalanta eventually allowed herself to be dazzled by three shining golden apples, and thus lost her independence.

Image: rafo – stock.adobe.com

Melanion, a young local man, had fallen in love with Atalanta and wanted to try his luck. He was helped by Aphrodite, the goddess of love, who gave him three golden apples. Once the starting signal had sounded, Melanion followed Aphrodite’s advice and dropped the apples one by one during the race. Dazzled by the shining gold, Atalanta slowed down each time to pick up the apples. This allowed Melanion to win the race, and Atalanta became his wife.

After her forced marriage, Atalanta ultimately returned to the wilderness as a lioness.

Image: Nirav Shah / Alamy Stock Foto

Atalanta and Melanion’s marriage was a passionate one. One day they were overcome with lust inside a temple and ended up having sex at that sacred site. As a punishment for this act of sacrilege, the pair were turned into lions. And so, following her forced marriage, Atalanta ultimately returned to the wilderness as a lioness.

Heracles

Vanquisher of villains

The name Heracles means “glory of Hera”. Heracles was given this name by the Pythia, Apollo’s prophetess, probably to placate Hera in her wrath. He had originally been named Alcides after his grandfather, Alcaeus. According to another version of his story, the inhabitants of Argos gave Heracles his name when they heard he had strangled snakes sent by Hera. For it was with Hera’s help that he had achieved glory (kleos in Greek).

As a baby, Heracles strangled one of the snakes Hera had placed in his crib.

Statue of Heracles, marble, 2nd century AD, Rome, Capitoline Museums, Palazzo Nuovo, Inv. MC 247
Bild: Marie-Lan Nguyen/Wikimedia Commons: Herakles, Rom

When Zeus, king of the gods, decided he wanted to father an illustrious child, he looked about for a suitable mother. His choice fell on the beautiful mortal woman Alcmene. Zeus took the form of Alcmene’s husband, Amphytrion, and slept with her. This led to the conception of the demigod Heracles. Thus Heracles had made a powerful enemy before he was even born: Hera, Zeus’ wife, was furious about her husband’s infidelity and intent on revenge. When Heracles was eight months old, she placed two snakes in his crib, which were supposed to kill him. But Heracles, who had superhuman strength even as a baby, strangled the snakes with his bare hands.

The young Heracles kills his music teacher for reprimanding him.

Attic wine cup (kylix) from Vulci, clay, 480 BC, Munich, Staatliche Antikensammlung, Inv. 2646
Bild: ArchaiOptix/ Wikimedia Commons: Herakles, München

Heracles grew up in Thebes in Greece with his mother and his stepfather, Amphitryon. He was trained in charioteering, archery, wrestling and armed combat. Even as a young man his divine parentage was evident: he was tall and strong, but also hot-tempered and quick to anger. When his music teacher, Linus, reprimanded him for not practising enough, Heracles killed him. As punishment, Amphitryon sent Heracles to live in the countryside and tend cattle. There he grew up among shepherds.

Hera was Heracles’ greatest enemy throughout his life.

Statue of Hera, Roman copy of a Greek work from around 470 BC, Rome, Villa Albani (original), plaster cast from Skulpturhalle Basel, Inv. SH 72

Later Heracles married Megara, the daughter of King Creon of Thebes. They lived happily together in Thebes with their sons for several years. But Hera still harboured a fierce hatred of Heracles. She induced a fit of madness in him, causing him to kill his sons in a blind rage. When he returned to his senses, he asked the Oracle of Delphi what he should do. She told him he should go to Tiryns and serve its king, Eurystheus, for twelve years. After that he would become immortal.

Heracles defeats the Nemean Lion – the first of his twelve labours.

Water vessel (hydria) from Athens, clay, around 510 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. BS 437

King Eurystheus gave Heracles dangerous labours to perform during his twelve years in his service. For his first labour, he had to slay the Nemean Lion, whose invincible skin he wore from then on: it became his trademark. He completed the other eleven labours without complaint as well. The last one was particularly difficult: Heracles had to fetch the three-headed hellhound Cerberus out of the Underworld.

Heracles in the lion’s skin fights the giants side by side with his patron goddess, Athena.

Wine-mixing vessel (krater) from Athens, clay, around 450 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. Lu 51

Heracles had countless other adventures and faced many more challenges. He freed Prometheus from his torture in the Caucasus Mountains, fought giants and robbers, served Queen Omphale as a slave for three years, and joined the Argonauts in their quest for the Golden Fleece. He led the Olympian gods and goddesses to victory in the battle against the giants.

The centaur Nessus tries to abduct Heracles’ second wife, Deianira.

Anointing oil flask (lekythos) from Athens, clay, around 600 BC, London, British Museum, Inv. 1883,0104.1
Image: ArchaiOptix/Wikimedia Commons: Deianeira, London

Eventually Heracles married his second wife, the Calydonian princess Deianira.
One day, when the centaur Nessus tried to abduct his beautiful wife, Heracles killed him with a poisoned arrow. Out of revenge, the dying Nessus led Deianira to believe that his poisoned blood was a love charm. He told her to collect some of his blood and use it on Heracles if she ever doubted his love for her.

Athena, with shield and helmet, leads Heracles in the lion skin to his deification on Mount Olympus.

Storage vessel (amphora) from Athens, clay, around 550 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. BS 496

Following his conquest of the city of Oechalia, Heracles became a little too interested in his prisoner of war Iole, prompting Deianira to make use of the supposed love potion. She soaked Heracles’ cloak in the centaur’s poisoned blood. When Heracles put it on he suffered agonising pain and hurled himself onto a pyre. But Athena carried him up to Mount Olympus where he became a god. There he reconciled with Hera and married Hebe, the goddess of youth.

Theseus

The noblest of men

Theseus finds his father Aegeus’ sword and sandals beneath the rock.

Anointing oil flask (lekythos) from Sicily, clay, around 450 BC, Stockholm, National Museum, Inv. NM Ant 1701
Image: Stockholm, Nationalmuseum: Theseus, Stockholm

Once, while King Aegeus of Athens was visiting the royal court of Troezen, he got drunk and slept with the Troezenian princess Aethra. When Aethra became pregnant with Theseus, Aegeus left his sword and sandals hidden beneath a rock for his unborn child to find. He told Aethra that his son should come to him in Athens as soon as he was big enough to lift the rock.

On his way to Athens, Theseus kills the monstrous wild sow that has been terrorising the city of Crommyon.

Wine-mixing vessel (krater) from Athens, clay, around 440 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. BS 416

Once Theseus had grown into a young man, he lifted the rock and prepared to travel to Athens. Wanting to be as brave as his role model, Heracles, he did not take the safer sea route. Instead he chose to travel by the more dangerous land route, along roads plagued by bandits and robbers. Theseus killed them all. After arriving in Athens he had several more challenges to face, before his father Aegeus finally recognised him by his sword.

Ariadne, wearing a long dress, hands Theseus the famous spool of thread.

Relief panel from Taranto, clay, 2nd quarter of the 7th century BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. Bo 105

Shortly afterwards Minos, the king of Crete, once again demanded his cruel tribute: Athens had to send seven young women and seven young men to Crete as fodder for the bull-headed man-creature known as the Minotaur that was imprisoned in the Labyrinth. Determined to put an end to this horror, Theseus sailed with the young Athenians to Crete. King Minos’ daughter Ariadne soon fell in love with the attractive hero. She gave him a thread to unwind as he walked through the Labyrinth, to help him find his way back.

Theseus kills the Minotaur in the presence of the young Athenians.

Perfume vessel (lekythos) from Athens, clay, around 540 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. BS 455

In the Labyrinth, Theseus eventually tracked down the Minotaur, killed it and led the young people out through the maze of passageways using Ariadne’s thread. When the Athenians fled Crete on their ship, Ariadne went with them. She left her homeland in order to marry Theseus. But when they made a stop on the island of Naxos, the god of wine, Dionysus, fell in love with the beautiful princess, and at his command Theseus was forced to leave Ariadne behind.

Athena, the patron goddess of Athens, and overjoyed Athenians, celebrate Theseus’ return to the city.

Drinking bowl (kylix) from Athens, clay, around 480 BC, New York, Metropolitan Museum of Art, Inv. 53.11.4
Image: Metropolitan Museum of Art, New York: Theseus, New York 

Theseus was so distraught about Ariadne that he forgot to change the black sails of his ship for white ones. He had agreed with his father that he would put up white sails if he triumphed over the Minotaur. When King Aegeus saw the black sails on the horizon, he thought his son was dead and threw himself into the sea.
On his return to Athens, Theseus was fêted as a hero, and became king. He came to be seen as a just and progressive king who united the region and introduced equal rights for all citizens.

Theseus fights a centaur who is trying to assault the female guests at Pirithous’ wedding.

Plate from the western frieze of the Temple of Apollo Epicurius at Bassae near Phigalia, marble, around 420 BC, London, British Museum (original), plaster cast from Skulpturhalle Basel, Inv. SH 1802

Despite his royal duties, Theseus still felt the lure of adventure. He fought with Heracles against the Amazons, and with his friend Pirithous against the Centaurs. Following the tragic suicide of his wife, Phaedra, Theseus set out with Pirithous in search of new wives. First they abducted the beautiful princess Helen from Sparta and took her to Athens. Then they descended into the Underworld to abduct Hades’ wife. But this venture ended in disaster. Theseus was rescued by Heracles, but Pirithous had to stay in the Underworld.

A man and his son worship the hero Theseus at a small altar.

Votive relief of Sosippos from Athens, marble, around 400 BC, Paris, Louvre, Inv. Ma 743
Image: © 2006 Musée du Louvre, Dist. GrandPalaisRmn / Daniel Lebée/Carine Deambrosis

Meanwhile, the Spartans had rescued Helen from Athens and put Theseus’ rival on the throne there. When Theseus returned from his adventures, he was driven out of the city. He went into exile on the island of Skyros and was murdered by its king, Lycomedes. Not until centuries later did the Athenians bring Theseus’ remains back to the city. They gave him a dignified burial and built a sanctuary to him. Slaves, and others who had been cruelly treated, found asylum there.

Odysseus

A master of ingenuity

Odysseus with his characteristic sailor’s cap, the so-called pilos. His grandfather, Autolycus, was a master thief. It was probably from him that Odysseus inherited his talent for trickery and cunning.

Bust from the Polyphemos Group in Sperlonga, marble, 1st century AD (?)., Sperlonga, Museo Archeologico Nazionale (original), plaster cast from Skulpturhalle Basel, Inv. SH 1262

Odysseus was the son of King Laertes and his wife, Anticlea. He grew up on the island of Ithaca, took over his father’s throne as a young man and married the clever Penelope of Sparta. Their son, Telemachus, was only a baby when Odysseus was forced to go off and fight with the Greek armies in the Trojan War.

When the great Greek warrior Achilles (seated, right) withdrew from the battlefield grumbling and sulking, Odysseus (seated, left) tried to persuade him to return to combat.

Storage vessel (stamnos) from Athens, clay, around 480 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. BS 477

Odysseus distinguished himself more through his intellectual prowess than his physical strength. In the Greek army he served as an advisor, a mediator, an envoy and a spy. He was also a gifted orator and played a pivotal role in the Trojan War. Using trickery and cunning, he managed to do what none of the best Greek warriors had been able to achieve by violent means.

During the night, the Greek warriors climb out of the wooden horse and open the gates of Troy to their comrades.

Large storage vessel (pithos) from Mykonos, clay, 7th century BC, Mykonos, Archaeological Museum, Inv. 2240
Image: Paul/Flickr: Odysseus, Mykonos 

After the Greeks had laid siege to Troy for ten years without success, Odysseus – inspired by Athena – had a brilliant idea: they would build a giant wooden horse in which the best warriors would hide while the rest of the Greek army pretended to withdraw. When the Trojans found their enemy’s camp empty except for the giant horse, they thought it was a votive offering to Athena and pulled it inside the city. During the night, the Greeks crept out of the body of the horse and opened the city gates to their comrades. Troy’s fate was sealed.

Odysseus and his comrades put out Polyphemus’ one eye.

Wine jug (oinochoe) from Athens, clay, around 500 BC, Paris, Louvre, Inv. F 342
Image: © 2019 Musée du Louvre, Dist. GrandPalaisRmn / Hervé Lewandowski

Odysseus’ journey home became the proverbial odyssey – a long voyage full of adventure, danger and temptation. His encounter with the one-eyed Cyclops Polyphemus (a son of the sea god Poseidon) at the beginning of his journey would prove particularly fateful. When Polyphemus trapped Odysseus and his companions in a cave, they drove a stake into his one eye so that they could escape undetected. But Poseidon was determined to avenge his son. He caused Odysseus to sail the seas for ten years, gradually losing all of his companions.

The shipwrecked Odysseus, in the presence of his patron goddess, Athena, meets Nausicaa, the daughter of the Phaeacian king.

Storage vessel (amphora) from Athens, clay, around 440 BC, Munich, Staatliche Antikensammlung, Inv. 2322
Image: ArchaiOptix/Wikimedia Commons: commons.wikimedia

Following a storm, Odysseus was washed ashore on the island of Phaeacia, exhausted and alone. The Phaeacians gave him a warm welcome, and Odysseus told them of all the adventures he had had on his long journey: of the sorceress Circe, who had turned his companions into pigs; of the singing Sirens who lured ships onto the rocks; of the voracious Scylla, the whirlpool Charybdis and the seductive nymph Calypso with whom he spent seven years.

Penelope and her son, Telemachus, in front of the weaving frame upon which she is weaving a shroud for her father-in-law, Laertes.

Drinking cup (skyphos) from Athens, clay, around 440 BC, Chiusi, Museo Archeologico Nazionale, Inv. 62705
Image: ArchaiOptix/Wikimedia Commons: Penelope, Chiusi 

Odysseus was away from home for so long that suitors arrived at the court of Ithaca hoping to marry Penelope and take Odysseus’ place as king. As the suitors grew more and more insistent, however, the clever Penelope employed a cunning ruse to keep them at bay. She announced that she would choose one of them as a husband as soon as she had finished the shroud she was weaving for her father-in-law, Laertes. To delay the shroud’s completion, she wove it by day and undid it by night.

The massacre at the royal court of Ithaca: in the end, all the suitors will be killed.

Fragment of a wine-mixing vessel (krater) from Apulia, clay, around 420 BC, Antikenmuseum Basel und Sammlung Ludwig, loan

When Odysseus finally returned home after an absence of twenty years, he slaughtered the scrounging suitors and celebrated his reunion with Penelope and Telemachus. Odysseus died happy and content as an old man on his native island of Ithaca.

Medea

The poisener

Since Medea was not Greek (she was from the kingdom of Colchis on the Black Sea), she is often portrayed in oriental garments, and as a sorceress with her magic box.

Water vessel (hydria) from Athens, clay, around 410 BC, London, British Museum, Inv. 1772,0320.30.+
Image: © The Trustees of the British Museum. Shared under a Creative Commons licence.

Medea was descended from the Titans, the pre-Olympian gods; Helios the sun god was her grandfather. She was a powerful sorceress and a princess of the kingdom of Colchis on the eastern coast of the Black Sea. She could use her magic to heal people and render them invincible, put dragons to sleep, subdue fires and make rivers flow backwards to their sources. She was famous for her rejuvenation spell, which gave old people back their youth.

Athena personally oversees the building of the Argo, the ship in which the Argonauts will sail from Greece to Colchis.

Relief from Rome, clay, around 100 AD, London, British Museum, Inv. 1805,0703.301
Image: © The Trustees of the British Museum. Shared under a Creative Commons licence.

The myth of Medea is closely intertwined with that of the Argonauts. Jason and his team of heroes sailed from Iolcus to the remote kingdom of Colchis at the behest of King Pelias. They were tasked with finding the golden fleece of a ram and bringing it back to Greece. The famous Golden Fleece was in the possession of Medea’s father, Aeëtes. It was guarded by a dragon that never slept.

The Golden Fleece hangs in a tree, guarded by a dragon. Medea puts the dragon to sleep with incantations and magic herbs so that Jason can steal the fleece.

Wine-mixing vessel (krater) from Paestum, clay, around 310 BC, Naples, Museo Archeologico Nazionale
Image: akg-images / MPortfolio / Electa

Nobody realised that the goddess Hera was actually pulling the strings in the background. She was angry with King Pelias because he had not made any sacrifices to her. So she came up with an insidious plan to get her revenge. When Jason arrived in Colchis, Hera caused Medea to fall deeply in love with him. The lovestruck Medea used her magic powers to help the young hero steal the Golden Fleece, and she then fled with him to Greece.

Medea (right) adds herbs to the magic potion. One daughter turns to her father, Pelias, the other pats the head of the ram that will soon spring from the cauldron, rejuvenated.

Wine-mixing vessel (krater) from Athens, clay, around 440 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. BS 1450

When they arrived in Iolcus, Medea became the unwitting instrument of Hera’s vengeful schemes. The lovestruck sorceress was now also determined to take revenge on Pelias for causing the deaths of Jason’s family. She told Pelias’ daughters that she could make their father young again. Medea demonstrated the spell on an old ram. She cut the ram into pieces and threw it into the magic potion – and out jumped a little lamb. Convinced of the potion’s effectiveness, Pelias’ daughters cut their father into pieces and threw him into a cauldron. But Medea prevented the spell from working.

A sarcophagus in four acts: Medea’s children give Creusa the poisoned robe. Creusa and her father, Creon, who hurries to her aid, die in agony. Medea stands there calmly, before killing her children. Medea flees with her children’s bodies in a chariot driven by dragons that was sent by her grandfather, Helios.

Sarcophagus from Rome, marble, around 190 AD, Antikenmuseum Basel und Sammlung Ludwig, Inv. BS 203

After Pelias’ death, Medea and Jason fled to Corinth. They lived there with their two sons until Jason left Medea for the Corinthian princess Creusa. Medea took revenge for Jason’s betrayal. First she poisoned Creusa with a dress soaked in poison. Then she killed her own children to rob Jason of his heirs.
Medea fled to Athens, married King Aegeus and tried in vain to poison Theseus, the heir to Aegeus’ throne. Eventually she returned to her homeland. In the afterlife, Medea lived in the Elysian Fields, on the Isles of the Blessed, where she married the hero Achilles.

A man climbs out of the cauldron, rejuvenated; Medea stands on the right with a name inscription and magic wand. At this point she is not yet a child murderer.

Etruscan olpe from Caere (Cerveteri), San Paolo, Grave 2, black bucchero, around 630 BC., Rome, Museo Nazionale di Villa Giulia, Inv. 110976
Image: Sailko/Wikimedia Commons: Medea, Rom 

In early versions of the myth, Medea appears as a powerful sorceress with good intentions. Over time, however, a dark side to her character emerged. In his tragedy Medea, performed for the first time in 431 BC, Euripides portrayed Medea as a child killer, and this was the image of her that would go down in history. Since then, countless authors have been inspired by the myth. In her 1996 novel Medea: Stimmen, which was published in English as Medea. A Modern Retelling, Christa Wolf drew on the early version of the Medea myth, in which Medea is not a child murderer.

Medea with the Golden Fleece, monument by the Georgian sculptor Davit Khmaladze, 2007, at Europe Square in Batumi, Georgia

Image: Dirk Renckhoff / Alamy Stock Foto

Medea’s homeland, the ancient kingdom of Colchis, was located in the western part of what is now Georgia. Colchis was a highly developed society and its land was fertile and rich in precious metals, especially gold. Modern-day Georgia is proud of its ancient past, and uses the Medea myth as a symbol of its identity. Anchored in the Caucasus whilst also constituting an intrinsic component of Europe’s cultural heritage, Medea is a symbol of Georgia’s affiliation with European culture.

Oedipus

The solver of the famous riddle

When Oedipus was a new-born baby, his father had his ankles pierced and tied together, causing his feet to swell. This was how Oedipus got his name, which means “swollen foot”.

The shepherd Euphorbus rescued the baby, who had been abandoned and left to die on a mountainside, and took him to Corinth.

Attic storage vessel (amphora) from Vulci, clay, around 460 BC, Paris, Département des Monnaies, médailles et antiques de la Bibliothèque Nationale de France, Inv. De Ridder.372
Image: gallica.bnf.fr / BnF

An oracle prophesied to King Laius of Thebes that he would be killed by his own son. Despite this warning, Laius and his wife, Jocasta, conceived a child and Jocasta gave birth to a son. Fearing that the prophecy would come true, the king and queen gave the baby – who was named Oedipus – to a shepherd, and told him to abandon the child on a mountainside. But the shepherd took pity on the baby and gave him to another shepherd from Corinth, who in turn gave him to the Corinthian king and queen. Oedipus grew up with his foster parents, unaware of his true parentage.

Oedipus kills his biological father, Laius, who is driving a chariot. One of the king’s attendants manages to flee. As an eyewitness to the killing, he will go on to play an important role in exposing the patricide.

Lid of a sarcophagus from Rome, marble, late 2nd century AD, Rome, Vatican Museums, Inv. MV.10408.0.0
Image: Dirk Renckhoff / Alamy Stock Foto

As a young man, Oedipus heard a rumour that he was a foundling. Confused, he travelled to Delphi to ask the oracle about his origins. She told him he would end up killing his father and marrying his mother. To protect the people he thought were his parents, Oedipus decided not to return to Corinth. Instead he went travelling, and at a crossroads one day he encountered his biological father, Laius, the king of Thebes. They quarrelled and Oedipus ended up killing his father, unaware of his true identity.

The Theban Sphinx may look harmless, but she has a cruel nature.

Table leg in the shape of a Sphinx, marble, Roman copy of a Greek model from around 440 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. Lu 226b

At that time, Thebes was being terrorised by a monster. The Sphinx, a winged creature with the head of a woman and the body of a lioness, sat perched on a rock outside the gates of the city, where she waited for travellers. She told a riddle to anyone that passed by. If the poor soul could not solve the riddle, she would strangle and devour them.

Oedipus is about to solve the riddle of the Sphinx.

Attic drinking cup (kylix) from Vulci, clay, around 470 BC, Rome, Vatican Museums, Inv. 16541
Image: Carole Raddato/Wikimedia Commons: Ödipus, Vatikan 

When fate led Oedipus to Thebes, the Sphinx told him her famous riddle. Oedipus solved it, whereupon the Sphinx threw herself off her rock and died. As thanks for liberating the city, Oedipus was made king of Thebes and given the hand of the widowed queen Jocasta in marriage – but little did he know he was actually marrying his biological mother. The couple lived together for almost twenty years and had two sons and two daughters.
One day, when a plague struck Thebes, Oedipus had someone consult an oracle on his behalf. The oracle said the city could only be saved if King Laius’ murderer was found and driven out of the city.

Scene from Sophocles’ Oedipus Rex: Oedipus questions the old shepherd from Corinth, who had given him to the Corinthian king and queen when he was a baby. Jocasta stands behind him, already suspecting the terrible truth. Their daughters, Antigone and Ismene, witness the tragic scene.

Fragment of a wine-mixing vessel (krater) from Syracuse, clay, around 350 BC, Syracuse, Museo Archeologico Regionale “Paolo Orsi”, Inv. 66557
Image: Eric Vandeville / akg-images

Unaware that he himself was the murderer, Oedipus started investigating. In Sophocles’ tragic play Oedipus Rex, the hunt for the murderer is written like the plot of a crime thriller. Dramatic interrogations finally brought the truth to light: Oedipus was his father’s killer and his mother’s husband. Faced with the horrifying truth, Jocasta hanged herself and Oedipus blinded himself with her brooch.

After being exiled from Thebes, the blind Oedipus wandered Greece with his daughter Antigone.

Oedipus and Antigone, oil painting by Christoffer Wilhelm Eckersberg, 1812, Stockholm, National Museum, Inv. NM 7340
Bild: © Linn Ahlgren/Nationalmuseum, CC BY SA: Ödipus, Stockholm

In the tragedy Oedipus at Colonus, Sophocles explores Oedipus’ subsequent fate. After the grim truth was revealed, Oedipus had to give up the throne of Thebes and go into exile. With his daughter Antigone he wandered around Greece – poor, blind and wretched. When the two arrived at Colonus, which was a suburb of Athens, they were taken in by King Theseus. Here Oedipus would live out the rest of his tragic life in peace.

Antigone and her brother Eteocles decorate the grave of their father, Oedipus.

Storage vessel (amphora) from Lucania, clay, around 400 BC, Paris, Louvre, Inv. CA 308
Image: © 2011 GrandPalaisRmn (musée du Louvre) / Stéphane Maréchalle

In life, Oedipus could not escape his destiny. After he died, however, the gods were forgiving. “Only when I am no more, then shall I be a hero?” he asked shortly before his death. Oedipus was a tragic figure in life, but in the afterlife he became a hero. At his grave in Colonus, people venerated him as a protector of Athens, whose king Theseus had granted him asylum and his final resting place.

The oracle of

Delphi

The Oracle of Delphi played an important role in antiquity, not only in real life but also in the heroic myths. Prophecies determined the fates of heroes and heroines. Our visitors will also arrive in Delphi at the end of their heroic journey, and will then receive their own personal oracle in the Temple of Apollo.

Image: Arthur – stock.adobe.com

Delphi – the navel of the world

As legend would have it, Zeus, the father of the gods, once launched two eagles from both ends of the earth, one flying east and one flying west, in order to determine the midpoint of the world. The eagles met in Delphi, thus identifying the oracle site as the centre of the world. The point where the mythical eagles met was marked by a sacred stone, the so-called omphalos (“navel”). It stood in the Temple of Apollo and marked Delphi as the spiritual and geographical centre of the world.

This omphalos is based on the original sacred stone, which was located in the inner sanctum of the Temple of Apollo and was covered with a woollen net fabric. Here the woollen fabric is recreated as a relief.

Omphalos from Delphi, marble, 4th century BC (?), Delphi, Archaeological Museum
Image: Chabe01/ Wikimedia Commons : Omphalos, Delphes Omphalos, Delphi

From the earth to the light – the mythical founding of the Oracle of Delphi

Delphi is located in the region of Phocis (modern-day Fokida) in central Greece, on a steep slope at the foot of Mount Parnassus above the Gulf of Corinth. The earth is very seismically active here and many springs issue from its depths. Earthquakes and landslides are not uncommon.
It is as if the power of the earth and the power of the light are both manifested in Delphi. This potent place has made a deep impression on people ever since ancient times. It was once chosen as the location for worshipping the ancestral mother of all life – the powerful earth goddess Gaia. She is said to have been the first to have presided over the Delphic oracle.

Image: Holger Uwe Schmitt/ Wikimedia Commons: Delphi

Later, Apollo, the radiant god of light, took over Mother Earth’s sanctuary. According to one version of the myth, Apollo killed the dragon Python (Gaia’s son, who had been the guardian of his mother’s oracle) and installed himself as master of Delphi.

Archaeological evidence of people worshipping an earth goddess at Delphi (in the form of female idols) dates back to the 13th century BC.

Mycenaean idols from Delphi, clay, painted, 13th century BC, Delphi, Archaeological Museum
Image: Zde/Wikimedia Commons: Idole, Delphi

Finds of male statuettes, thought to depict Apollo, serve as evidence that Delphi became a shrine to him from around 800 BC onwards.

Statuette of Apollo from Delphi, bronze, around 620 BC, Delphi, Archaeological Museum
Image: Zde/Wikimedia Commons: Apollo, Delphi

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Heiligtum der Athena Pronaia

The circular temple (tholos) is Delphi’s most famous building and a popular site for taking photos. It formed part of the Sanctuary of Athena Pronaia (“the one before the temple”) on the lower terrace. In Delphi, Athena likely played the role of a guardian who watched over the sanctuary of her half-brother Apollo on the upper terrace.

Image: Joyofmuseums/ Wikimedia Commons: Athena-Heiligtum, Delphi

Tempel des Apollon

Enthroned at the centre of the sanctuary was the Temple of Apollo. The inner sanctum of the temple (the adyton) was where the oracles were pronounced.
Some of the maxims of the “Seven Sages” were inscribed in the vestibule of the temple. These were short, pithy sayings that great philosophers are said to have dedicated to Apollo. The most famous maxim is “know thyself”.

Image: Helen Simonsson/Wikimedia Commons: Apollon Tempel, Delphi

 

Heiligtum des Apollon

In the Sanctuary of Apollo, the street was lined with porticoes and treasuries that housed valuable votive offerings to Apollo. There were also dozens of monumental votive offerings and victory monuments erected to the glory of individuals and entire cities.

Bild: Carole Raddato/Wikimedia Commons: Modell Delphi, München

 

Kastalia-Quelle

The Pythia, Apollo’s mouthpiece, bathed in the water of the Castalian Spring before pronouncing her oracles. People coming to consult the oracle also refreshed and cleansed themselves here before making their way to the Temple of Apollo.

Image: Stefan Volk/ Wikimedia Commons: Kastalische Quelle, Delphi

Gymnasion

At the gymnasium, athletes would train for the events at the Pythian Games. However, the gymnasium was also a place of intellectual education. There were race courses, a wrestling school, a bath house, changing rooms and lecture rooms. The round swimming pool was fed with cool water from the Castalian Spring and was the perfect place to cool off.

Image: Luarvick/Wikimedia Commons: Gymnasion, Delphi

Stadion

The Pythian Games, held in honour of Apollo, took place in the stadium. The victors were rewarded with a wreath of laurel – the sacred plant of Apollo – and eternal glory. They also earned the right to erect a victory statue of themselves in the sacred precinct.

Bild: Vgargan/ Wikimedia Commons: Stadion, Delphi

Apollo

God of light and prophecy

Apollo was an eternally youthful god with many facets. He was the god of healing, music and the arts. His epithet Phoebus (meaning “shining one”) identifies him as the god of pure, divine light. As the god of prophecy, he was master of the Oracle of Delphi. He addressed personal problems as well as religious and political questions, and provided advice in all kinds of situations. His answers, however, were always ambiguous. As Apollo Loxias, “the ambiguous one”, he never explained, only suggested and indicated. The questioners had to interpret the oracle for themselves.

As the god of music as well, Apollo is a gifted kithara player. Here he is shown with this ancient stringed instrument in his left hand and a sacrificial bowl in his right. His long curly hair is crowned with a wreath of laurel, his sacred plant.

Anointing oil flask (lekythos) from Athens, clay, around 480 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. Lu 41

When Croesus, king of Lydia, asked the oracle whether or not he should go to war against the Persians,
the answer was:

«If you cross the Halys,

you will destroy a great empire.»

Croesus was pleased, assuming that the great empire he was going to destroy was Persia. He crossed the River Halys, which formed the border between Lydia and Persia, and suffered a devastating defeat at the hands of the Persians. He had misinterpreted the oracle: it was his own empire that he destroyed by crossing the Halys.

The Pythia

Apollo’s mouthpiece

“The woman of Delphi sits on the sacred tripod, and sings out to the Hellenes whatever Apollo cries to her.”
Euripides, Ion 91–93, translated by Robert Potter

The Pythia sits on a tripod in the Temple of Apollo. In one hand she holds a bowl, in the other a laurel branch. In front of her, a bearded man waits to receive his oracle.

The name inscriptions place the scene in the realm of myth: the Titan Themis (who according to one version of the myth was her mother Gaia’s successor and Apollo’s predecessor) pronounces an oracle for Aegeus, the legendary king of Athens, who has come to consult the Pythia about his desire for a male heir.

Drinking bowl (kylix) from Athens, clay, around 440 BC, Berlin, Staatliche Museen, Antikensammlung, Inv. F 2538
Image: Zde/Wikimedia Commons: Pythia, Berlin

The Pythia sat on a tripod vessel with a lid when she pronounced her oracles. This was how the tripod became the symbol of Apollo’s art of prophecy.

Tripod from Corinth (?), bronze, around 750 BC, Antikenmuseum Basel und Sammlung Ludwig, Inv. BS 554

The Pythia was Apollo’s prophetess – he spoke to people through her. Her name is derived from “Pytho”, the old name for Delphi. The Pythia was selected from among the women of Delphi and remained in her role as “the voice in the centre of the world” for the rest of her life. Only a few Pythias appear in the historical record.

How the oracle operated

We do not know exactly how the Oracle of Delphi operated. Many ancient written sources mention the oracle, but there is no coherent account of the ritual involved. Was the process such common knowledge among the people in antiquity that the ancient authors did not feel the need to describe it? Or were they reluctant to write about divine secrets? We cannot know. But we do have a vague idea of what the Delphic oracle ritual might have entailed.

Before pronouncing an oracle, the Pythia would take a ritual bath in the sacred Castalian Spring, while priests sacrificed a goat in order to ascertain whether Apollo was ready to communicate. If the signs were favourable, the Pythia would enter the temple. In the inner sanctum, the adyton, she would sit on a tripod vessel, drink inspiring water and chew on laurel leaves. Then she would fall into a prophetic trance (in Greek mania) and Apollo would come to her. The god spoke through her, and the priests wrote down the prophecy she uttered.

The Pythia, priests and persons consulting the oracle in the inner sanctum of the Temple of Apollo.

Colourised woodcut based on a drawing by Heinrich Leutemann, 1865
Münchener Bilderbogen: Bilder aus dem Alterthume VI, no. 359. Berlin, Sammlung Archiv für Kunst und Geschichte
Image: akg-images

People wishing to consult the oracle also had to have a ritual wash in the spring first. After that, they would join the queue outside the temple, perform some sacrificial rituals, pay an oracle fee and wait for their turn to enter the adyton and ask the Pythia their question.

Durch welche Mittel sich die Pythia in ihren Trancezustand versetzte, ist das umstrittenste Rätsel von Delphi. Schriftquellen berichten von einer mysteriösen Erdausdünstung, einem süsslich duftenden Pneuma, das prophetische Kraft besessen haben soll. Gab es wirklich Dämpfe, die unter dem Tempel der Erde entwichen? Oder handelte es sich um einen übernatürlichen «Orakelatem»? Hat die Pythia bewusstseinsverändernde Drogen genommen oder spirituelle Praktiken angewendet, um sich selbst in Trance zu versetzen?

Neither the ancient sources nor modern archaeological or geographical research can give us a definitive answer.

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